Dispossesions in the Americas

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Art Exhibit 1981 - 2023

Virosis: Art and HIV/AIDS in Colombia (1981-2023)

  • Viola, Eugenio

  • Moreno, Juaniko

  • Motta, Carlos

  • Bedoya, Pablo

Published: 2023

“Criminal Transmission,” 2013, Camilo Godoy, activated sculpture made of lavender mixed with donated HIV positive semen and etched with the words ‘criminal.’ Courtesy of the Artist

“Criminal Transmission,” 2013, Camilo Godoy, activated sculpture made of lavender mixed with donated HIV positive semen and etched with the words ‘criminal.’ Courtesy of the Artist

Abstract

Location: Museum of Modern Art of Bogota in Bogota, Colombia.

Virosis is a thematic exhibition of works created by more than thirty intergenerational Colombian artists, the first museum exhibition in the country to present works of art made in response to the HIV/AIDS epidemic.

Virosis addresses the ongoing dispossession of people living with HIV/AIDS in the Colombian context. It was the first first comprehensive attempt at creating an archive of memories of HIV/AIDS in the country and it addressed the ways in which sexual and gender minorities, including sex workers, transgender people, Indigenous people and other marginalized poor people have been disproportionately affected by the disease and dispossessed by the government’s inefficient response to it in the last 40 years. Documented and reported by the national media in a sensationalized and stigmatized manner, the pandemic has nonetheless maintained a distinct silence surrounding the actual histories of living and dying with HIV/AIDS within the general population. Addressing issues of class, economy, access to health care, social and political contexts, media representation, and art history, the exhibition surveyed the “memories” of AIDS in Colombia.

As part of his 2023 retrospective at the Museum of Modern Art of Bogota (MAMBO) artist Carlos Motta was commissioned by Penn-Mellon to create Hilos de sangre (2023), a new research project on display carried out in close collaboration with historian Pablo Bedoya. The work consists of a new archive of stories, experiences, memories and documents related to the HIV/AIDS epidemic in Colombia; the most comprehensive effort of its kind in the country.

Featured artists include: Aarón Zea, Álvaro Restrepo, Camilo Acosta, Santiago Lemus, Camilo Godoy, Constanza Camelo, David Lozano, Elektra KB, Fernando Arias, J Triangular, Jorge Rodriguez Sastre, Juan de la Mar, Koray Duman, Ted Kerr, Carlos Motta, Lorenzo Jaramillo Luis Caballero, Luis Fernando Zapata, Madorilyn Crawford, Manu Mojito, Manuel Velandia, Mateo Sierra, Miguel Ángel Cárdenas, Miguel Ángel Rojas, Paul Sebastián Mesa, Rafael Baena Cumplido, Rosario Jaramillo, Luis Ospina, Santiago Echeverry, SPIT! (Sodomitas, Pervertides, Invertides, Juntes! - Carlos Motta, John Arthur Peetz, Carlos Maria Romero), Tomás Espinoza, Wilson Díaz.

Official website: https://www.mambogota.com/exposicion/virosis-arte-y-vih-en-colombia-1981-2023/

Citation

Viola, Eugenio, Juaniko Moreno, Carlos Motta, and Pablo Bedoya. 2023. 'Virosis: Art and HIV/AIDS in Colombia (1981-2023)'. Dispossessions in the Americas. https://dia.upenn.edu/en/content/ViolaE001/

Reading in Spanish

Art Exhibit 1981 - 2023

Virosis: Arte y VIH/SIDA en Colombia (1981-2023)

  • Viola, Eugenio

  • Moreno, Juaniko

  • Motta, Carlos

  • Bedoya, Pablo

Published: 2023

“Transmisión criminal”, 2013, Camilo Godoy, escultura activada hecha de lavanda mezclada con semen seropositivo donado y grabada con las palabras “criminal”. Cortesía del artista

“Transmisión criminal”, 2013, Camilo Godoy, escultura activada hecha de lavanda mezclada con semen seropositivo donado y grabada con las palabras “criminal”. Cortesía del artista

Reading in Portuguese

Art Exhibit 1981 - 2023

Virosis: Arte e HIV/AIDS na Colômbia (1981-2023)

  • Viola, Eugenio

  • Moreno, Juaniko

Published: 2023

Resumo

Local: Museu de Arte Moderna de Bogotá, Bogotá, Colômbia.

Virosis é uma exposição temática de obras criadas por mais de trinta artistas colombianos de diferentes gerações, sendo a primeira exposição em museu no país a apresentar obras de arte feitas em resposta à epidemia de HIV/AIDS.

Virosis aborda a contínua marginalização de pessoas vivendo com HIV/AIDS no contexto colombiano. Foi a primeira tentativa abrangente de criar um arquivo de memórias sobre HIV/AIDS no país e abordou as maneiras pelas quais as minorias sexuais e de gênero, incluindo profissionais do sexo, pessoas transgênero, povos indígenas e outras pessoas pobres marginalizadas, foram desproporcionalmente afetadas pela doença e desapropriadas pela resposta ineficiente do governo nos últimos 40 anos. Documentada e noticiada pela mídia nacional de forma sensacionalista e estigmatizante, a pandemia manteve um silêncio notável em torno das histórias reais de vida e morte com HIV/AIDS na população em geral. Abordando questões de classe, economia, acesso à saúde, contextos sociais e políticos, representação na mídia e história da arte, a exposição analisou as “memórias” da AIDS na Colômbia.

Como parte de sua retrospectiva de 2023 no Museu de Arte Moderna de Bogotá (MAMBO), o artista Carlos Motta foi comissionado pela Penn-Mellon para criar Hilos de sangre (2023), um novo projeto de pesquisa em exibição, realizado em estreita colaboração com o historiador Pablo Bedoya. A obra consiste em um novo arquivo de histórias, experiências, memórias e documentos relacionados à epidemia de HIV/AIDS na Colômbia; o esforço mais abrangente desse tipo no país.

Artistas participantes incluem: Aarón Zea, Álvaro Restrepo, Camilo Acosta, Santiago Lemus, Camilo Godoy, Constanza Camelo, David Lozano, Elektra KB, Fernando Arias, J Triangular, Jorge Rodriguez Sastre, Juan de la Mar, Koray Duman, Ted Kerr, Carlos Motta, Lorenzo Jaramillo Luis Caballero, Luis Fernando Zapata, Madorilyn Crawford, Manu Mojito, Manuel Velandia, Mateo Sierra, Miguel Ángel Cárdenas, Miguel Ángel Rojas, Paul Sebastián Mesa, Rafael Baena Cumplido, Rosario Jaramillo, Luis Ospina, Santiago Echeverry, SPIT! (Sodomitas, Pervertides, Invertides, Juntes! - Carlos Motta, John Arthur Peetz, Carlos Maria Romero), Tomás Espinoza, Wilson Díaz.

Website oficial: https://www.mambogota.com/exposicion/virosis-arte-y-vih-en-colombia-1981-2023/

Citation

Viola, Eugenio, and Juaniko Moreno. 2023. 'Virosis: Arte e HIV/AIDS na Colômbia (1981-2023)'. Dispossessions in the Americas. https://dia.upenn.edu/pt/content/ViolaE001/

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“Criminal Transmission,” 2013, Camilo Godoy, activated sculpture made of lavender mixed with donated HIV positive semen and etched with the words ‘criminal.’ Courtesy of the Artist

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